š©āš Narrative point of view is a fascinating area of study. I donāt (yet) offer developmental edits but itās important that I understand the stages above/before copyediting so that any flaws which remain in the text (such as head hopping or broken binding) can be flagged for the authorās consideration.
As I study this stuff, Iām realising that I can already spot problems in narrative point of view but that I didnāt necessarily have the language to label what was going wrong. I suppose thatās unsurprising when you consider that Iāve been teaching literature for most of my adult life.
š Iāve been teaching literature that gets it ārightā, so Iāve never needed to point out flaws, not in studied reading texts anyway. These works would not be considered worthy of study if they messed up their baseline POV for instance by inadvertently shifting from a retrospective to an embedded past tense and back again.
But I have seen point of view flaws in creative writing. With school students, we donāt get much beyond labelling first or third person and present or past tense. But, the thing is, there is more than one first person, more than one third person, more than one past tense. When stories havenāt quite worked, Iāve gone round the houses trying to explain why.
š¤ Itās all a domino effect though, isnāt it? At sentence level, flaws are going to emerge if the bigger structural elements arenāt right. If itās a retrospective narrator, how old is the narrator at the point they are looking back from? Because that matters. The rhythm of the sentences, the syntax, the pauses, they are all going to be informed by that character at the point of the retrospection. So, even if they are describing something from their youth, itās going to be through the lens of wisdom and experience. And then that has an effect on word choice.
Knowledge is power, right? Terminology doesnāt necessarily matter but Iām getting to the point where I can really clearly say to a writer ā here is a part where youāve done first person retrospective really well. Here is a part where youāve slipped. Your point of view here is from the recent past, but there it was from further away. And I can see that in your verb choices, your tense aspects⦠Here. And here.
I would say to any aspiring indie authors out there, spend time on studying structure and point of view. Once you get that right, the rest will come a lot more easily and more successfully.
ā Writers and editors who are further along in the process: any tips or resources you can recommend? Iāve heard āCharacters and Viewpointā by Orson Scott Card is a good one so Iām going to add that to my TBR pile. Any others? Let me know.