Read this if you’ve ever said: ‘I just write the story of the film that plays in my head.’

How do you turn the film playing in your head into effective storytelling? Explore the writing-world equivalents of camera angles, cuts and pacing, and how structural elements can transform your novel.

‘Betrayal hurts more than actual bullets’ – Claire North on why emotional stakes matter more than death in storytelling.

Claire North explores why emotional stakes, character choices, and consistent worldbuilding matter more than shock endings or deus ex machina moments in speculative fiction. Does this storytelling advice apply across all genres? Join the discussion.

What does the viewpoint character know? A reminder from Nancy J. Cohen.

I’m reading Writing The Cozy Mystery by Nancy J. Cohen. Here’s a reminder she gives to writers using the first person or a close third: Avoid out-of-body experiences, such as “If I knew what was going to happen, I’d never have walked through that door.” Who has knowledge of the future? The Author, that’s who.Continue reading “What does the viewpoint character know? A reminder from Nancy J. Cohen.”

What does the viewpoint character know?

I’m reading Writing The Cozy Mystery by Nancy Cohen. Here’s a reminder she gives to writers using the first person or a close third: Avoid out-of-body experiences, such as “If I knew what was going to happen, I’d never have walked through that door.” Who has knowledge of the future? The Author, that’s who. CertainlyContinue reading “What does the viewpoint character know?”

Every Writer Needs a Support System

Writing a book isn’t a solo journey. If you’ve ever read an author’s acknowledgements, you’ll know how many people quietly help bring a story to life. Editors, coaches, beta readers, agents: they’re all part of the village.

What a first draft can teach you that a published book can’t. (A writing coaching win!)

Discover how using an unedited manuscript in a writing coaching session helped a client spot craft techniques and grow as a fantasy writer.

Recognize ideas “when they show up”.

From Stephen King’s On Writing. Let’s get one thing clear right now, shall we? There is no Idea Dump, no Story Central, no Island of the Buried Bestsellers; good story ideas seem to come quite literally from nowhere, sailing at you right out of the empty sky: two previously unrelated ideas come together and makeContinue reading “Recognize ideas “when they show up”.”