Who here attends in-person creative writing groups? πββοΈ TL;DR β They’re so varied. If you try one and don’t like it, try others. Here are some reflections on the creative writing groups I’ve attended over the years. β A weekly group in a Leeds cafe after closing, perhaps a Thursday evening. Great. Nice atmosphere. GoodContinue reading “Creative writing groups: they’re many and varied. Find the right one for you.”
Tag Archives: cherryedits
Notebooks for ‘ink’sight. The KWL evaluation method is a writer’s secret weapon.
Evaluation is a skill you need wherever you are in your writing career. Use one of your many notebooks to identify what you Know, what you Want to know, and β once you’ve looked up the answers to your questions β what you’ve Learnt. If you’ve evaluated that your storytelling craft could use some work,Continue reading “Notebooks for ‘ink’sight. The KWL evaluation method is a writer’s secret weapon.”
Elevating Fictional Dialogue: When the unwritten rules of successful communication should be followed, and when they need to be broken.
In their studies, linguistics undergrads learn about Paul Grice‘s work on conversation, considering the Cooperative Principle and its maxims β four unwritten rules for successful verbal interaction: π‘ Quantity: Judge the right amount to say.π Relevance: Keep your words pertinent to the conversation.π£ Manner: Be clear, precise, and maintain order in communication.π€₯ Quality: Tell theContinue reading “Elevating Fictional Dialogue: When the unwritten rules of successful communication should be followed, and when they need to be broken.”
‘Show don’t tell’ is a useful rule of thumb. Here are some easy wins.
Struggling to express your charactersβ emotions without telling? Let me help! Here’s a sneak peek into a no-stress method. π Negative emotion ‘tells’ to avoid: He felt frustrated. π« They looked uncomfortable. π« She was sad. π« π Better to βshowβ: He grabbed his coat and left. β They fidgeted in their seats. β SheContinue reading “‘Show don’t tell’ is a useful rule of thumb. Here are some easy wins.”
Cherry Edits’ 2023 Round-up. And what’s in store for 2024?
What a year! π’ 1,048,046 words edited. That’s 16 editing projects for 11 clients, 80% of whom were writing in British English β the other 20% American English. All projects were fiction-based, across a range of genres, with my top three genres occupying the top 3 spots β I’m mainly known for fantasy, women’s fiction,Continue reading “Cherry Edits’ 2023 Round-up. And what’s in store for 2024?”
Calling all aspiring or early-career SFF writers… Work on your story craft in 2024.
copy-of-calling-all-aspiring-or-earl-career-sff-writers Do you have a spare couple of hours free from the week beginning 29th January 2024? Join a small cohort of like-minded SFF writers for a self-paced, tutor-supported SFF storytelling course. Click here to secure your spot.
Is it ‘discreet’ or discrete’?
Here’s a helpful visual guide to help you reach for the right version of this tricky word.
Is it mantelpiece or mantlepiece?
Do you know your mantles from your mantels? I do, but Microsoft Word doesn’t. It NEVER flags ‘mantlepiece’ as an error. If you are attached to your mantlepiece (seek help! π) you’re not alone. Merriam-Webster recommends ‘mantel’ (‘el’ like the ‘el’ of ‘shelf’ ) for the over-the-fireplace ledge, but it acknowledges that ‘mantle’ has been/isContinue reading “Is it mantelpiece or mantlepiece?”
Is your manuscript ready for a line and copy edit? Seven key indicators.
Discover the 7 signs your manuscript is ready for a line and copy edit. Get expert tips for a polished final draft.
Cherry Edits: Editing and proofreading scores on the doors. π’
I’ve been proofreading and editing for several years now. Here’s a brief overview of how much experience I’ve had. The first five years (part-time): β½ 49 projects β½ 2,132,069 words Year six (full-time): β½ 23 projects β½ 1,356,360 words Total so far: β½ 72 projects β½ 3,488,429 words Thank you to all the authors whoContinue reading “Cherry Edits: Editing and proofreading scores on the doors. π’”
